Saturday, October 17, 2020

MODERN IN THE MAKING EXHIBITION CATALOGUE

Greetings again art appreciators

In case you missed it my last post was with regard to a very comprehensive view of mid-century craft and design from this region assembled to date exhibiting post war modernism in art that is currently running at the Vancouver Art Gallery in BC Canada. 

I had been expecting the catalogue of this special showcase and when it arrived and I opened the pages I was very impressed with the quality and standards and the immense amount of person-power and information-gathering that it took to pull this beautiful catalogue together for this extraordinary exhibition, not to mention the curation of all the works that represent an exceptional part of our art history. 

I’m bathed in pride by my Uncle’s part in all of this and the fact his work and recognition is part of this noteworthy, post war, art movement… this comprehensive book, I feel, is a valuable chronicle cataloguing this historical era and event. 


Then moves on to explore ceramics, furniture, textile and clothing design, jewelry and art objects... (NOTE: be sure to click on the photo images to see full size. For some reason they are cropped as you see them here and aren't showing fully. Below the enlarged image you'll see the other photos in thumbnails. Click on any for better and enlarged viewing as well).


If you are interested in acquiring a copy, here is the link for ordering.

The Gallery Store offers contemporary art books, posters, paper goods, jewellery and designer giftware, including a broad range of Emily Carr merchandise. 

And here is a 29 second video as a speed-look at the gallery exhibit. I hope you can stop by the Gallery if you live near it or opt to own the catalogue...Onward...and thanks for stopping by my blog.



Modern in the Making surveys the multifaceted histories of postwar craft and design in British Columbia from an interdisciplinary perspective. Presenting the work of more than 125 artists, it is the first volume to document the evolution of modern ceramics, weaving, furniture design, fashion and jewellery produced between 1945 and 1975 in the Lower Mainland, Vancouver Island, the Okanagan and beyond. Featuring an introduction by co-curator Daina Augaitis, an in-depth historical overview by collector and co-curator Allan Collier that maps a trajectory of design practice in the region, two commissioned essays by noted scholars Michelle McGeough and Michael J. Prokopow, and artist biographies, this heavily illustrated publication is the first to address this history in a comprehensive manner.

Modern in the Making: Post-War Craft and Design in British Columbia was published in conjunction with the exhibition organized by the Vancouver Art Gallery, curated by Daina Augaitis, Interim Director; Allan Collier, Guest Curator; and Stephanie Rebick, Associate Curator; and presented from July 18, 2020, to January 3, 2021.

 

Edited by Stephanie Rebick
Forward and Introduction by Daina Augaitis
Essays by Michelle McGeough, Michael J. Prokopow, Allan Collier, Jenn Jackson, and Stephanie Rebick

254 pages
7.75 x 10.75 inches
229 colour and black and white illustrations
ISBN 9781927656518
Softcover
Vancouver Art Gallery and Figure1 Publishing
2020







Saturday, August 8, 2020

MODERN IN THE MAKING: POST-WAR CRAFT AND DESIGN IN BRITISH COLUMBIA

Hello dear friends, family, curious art seekers,

  and those of you who continue to visit here...

This is a time for me to brag a bit due to the fact I have great love, 
pride and admiration for my uncle Peter Cotton's 
architectural and furniture design from the post WWII 1940s to the time of his death in the late 1970s. Over the years I learned so much from him. We were similar in a lot of ways, artistically and our interest in mid-century-modern architecture, which I gleaned from him (having grown up in such a house which he helped us find when our family bought a brand new home in the early 50s in Bellevue in the Surrey Downs subdivision in it's early phase designed by the architectural firm, Mithun & Neslund. (If curiosity lures you, you can view our house, quite different as it is today, via Zillow Realty, totally remodeled in and out with the addition of a 2nd bathroom off the master). 

While growing up and into my adulthood, we spent many fun family times together, usually at the Bellevue Arts & Crafts Fair each summer at the old Bellevue Square (nothing at all like the mall and fair are today) and during visits to Ocean Park and Victoria, B.C.. When he left this planet, way too young, it was a huge loss in many ways.

So by now you may be wondering why I'm crowing about my dear uncle. His wonderful and simple modern furniture design-work is part of an exhibit currently at the Vancouver Art Gallery through January 3, 2021. If you live in British Columbia you would be greatly enriched to see this exhibit, Modern in the Making: Post-War Craft and Design in British Columbia with over 300 pieces of modern design objectsYou can read more details in the  information below. I have added additional photos of his work, background info and an article from the UBC Alumni Chronicle featuring Peter and his furniture from 1952. 

The photos below, 2 though 6, are of the displays and pieces featured at the Vancouver Art Gallery exhibit. 

I hope you enjoy this post as much as I have creating it in honor of my uncle, my mother's brother, Peter Neve Cotton.   

Side note: Blogger has changed formats and as a result users, including myself, are having a lot of difficulty navigating within it while creating and editing posts...so for best viewing of each photo in their full dimensions, (as you can see they're cut-off as if cropped) click on any image to enlarge it. Below the enlarged image you'll see the other photos in thumbnails. Click on any for better and enlarged viewing as well.  

Thanks for visiting lindajarvis.blogspot.com

Enjoy.

MODERN IN THE MAKING: POST-WAR CRAFT AND DESIGN IN BRITISH COLUMBIA

Featuring over 300 works, Modern in the Making: Post-War Craft and Design in British Columbia examines the furniture, ceramics, textiles, fashion and jewellery that defined West Coast modern living in the mid-twentieth century. In the three decades following the Second World War, thousands of people immigrated to British Columbia seeking the benefits of its resource-based economy, mild climate, natural amenities and inventive spirit. This optimistic post-war environment fostered the development of exceptional design and craft practices, deeply influenced by the tenets of modernism: simplicity, fine craftsmanship and functional design for everyday use. The most comprehensive view of mid-century craft and design from this region assembled to date, the exhibition reveals how local histories, immigration patterns and materials impacted interpretations of modernism in British Columbia, while also recognizing this cultural movement’s inherent ties to colonial expansion.

ARTISTS

Barbara Baanders / Hans-Christian Behm / Niels Bendtsen / Idar Bergseth / Paul Binkert / B.C. Binning / Alice Bradbury / Elaine Bully / Cyril G. Burch Ltd. / Robin Bush / Sharon Butler / Robert Calvert / Mollie Carter / Toni Cavelti / Mary Chang / Madeleine Chisholm / Jean Clarke / Stan Clarke / Betty Clazie / John Clazie / Columbia Furniture / 
Peter Cotton / Crane Furniture Ltd. / Doug Cranmer / Judith Cranmer / Crown Ceramics / Florence Daniels / Robert Davidson / Olea Davis / Walter Dexter / Reginald Dixon / Axel Ebring / Vee Elder / Gathie Falk / Lynda (Powell) Gammon / Hilde Gerson / Herta Gerz / Sophie Locke Gibson / Penny Gouldstone / Helga Grove / Jan Grove / Kathleen Hamilton / Marjory Hamilton / Hammond Furniture / Frances Hatfield / Francisca Hayman / Michael Henry / Mano Herendy / Marjorie Hill / Gillian Hodge / Fred Hollingsworth / Phyllis Hollingsworth / Hollywood Furniture Manufacturing / Honey Hooser / Henry Hunt / Avery Huyghe / Tam Irving / Island Weavers / Nellie Jacobson / Charmian Johnson / Thomas Kakinuma / Zoltan Kiss / Helmut Krutz / Ann Kujundzic / Zeljko Kujundzic / Heinz Laffin / David Lambert / Edwin Larden / Glenn Lewis / Desmond Loan / Adeline Lorenzetto / Janet MacLeod / A.P. Madsen Ltd / Sasha Makovkin / Rex Mason / Ruth Mathers / Heather Maxey / Rodney Maxwell-Muir / Marian McCrea McClain / Duncan S. McNab / Ruth Meechan / Santo Mignosa / Earle A. Morrison / Mouldcraft Plywoods / Ellen Neel / Zonda Nellis / Anne Ngan / Wayne Ngan / Leonard Osborne / Pacific Veneer / Mary Peters / Dexter Pettigrew / Setsuko Piroche / Vera Ramsay / Ravine Pottery / John Reeve / Bill Reid / Rose Marie Reid / Cliff Robinson / Hilda Ross / Evelyn Roth / Carole Sabiston / J. Scali Woodworking / Adolph Schwenk / Louise Schwenk / Doris Shadbolt / Marion Smith / Spider Loom Ties / Ethel Squier / Joanna Staniszkis / Alfred Staples / Ian Steele / Gordon Stewart / Karl Stittgen / Strahan and Sturhan / Ron Thom / Willy Van Yperen / Julia “Madame” Visgak / Jean Marie Weakland / Robert Weghsteen / Gertrude Weir / Lore Maria Wiener / Martha Wiens / Monica Williams / Chuck Yip

Earle A. Morrison and Robin Bush for Earle A. Morrison Ltd., 
Lounge Chair
Collection of Allan Collier  
 
This is a photo from the VAG exhibit of my uncle's furniture...
Peter Cotton, 
Arm Chair
Table and lamp are owned by one of my cousins, Chris Small. 
Three chairs are in the collection of Allan Collier who was part of organizing and curating the exhibition.

Peter Cotton,
Four of the same five pieces shown in previous photo 

Peter Cotton, 
Green Sideboard 
Owned by the Vancouver Art Gallery (VAG)

Peter Cotton with Alfred Staples,
Arm chair 
Collection of Allan Collier

Peter Cotton, 
Side table or stool with reversible top of wood as table or 
stool seat with needle point.
Collection of Allan Collier

Peter Cotton, 
3 Legged lamp - zig-zag cord

Peter Cotton, 
Chair    


Here's a few more dit-bits of interesting information about Peter’s life and career. It may or may not be of interest to you, but I wanted to include it for those who'd like to learn more or for those who know him and may not be aware of some of the following background. There is much more to glean on this site that I am not even clued into. I will have to do further research into what it all means and how to access it. If anyone is curious they can see more here.

MS-1336
Peter Neve Cotton
Originals 1918
1978 5.5 m

Peter Neve Cotton was one of Victoria's most distinguished architects. He designed many contemporary homes and business complexes, but was best known for his restoration and heritage architecture. Among the buildings he restored were Craigflower Manor, Craigflower School House, Emily Carr House, Point Ellice House, and St. Andrew's Roman Catholic Cathedral. He also refurbished the old post office in Duncan (now Duncan City Hall).

Cotton was born in Merritt, B.C. on 12 March 1918. He spent his boyhood in New Westminster and attended local schools. He worked in the design departments of several large retail stores in Vancouver and in 1939 enlisted in the Canadian Army. He went overseas with the Seaforth Highlanders, then transferred to the British Army Intelligence Branch. He served with distinction in Egypt and Italy and was discharged with the rank of captain.

At the end of the war, Cotton enrolled at the University of British Columbia (UBC). He graduated with a degree in architecture and was instrumental in the founding of UBC's faculty of architecture. He afterwards studied design at the Massachusetts Institute of Technology (MIT) and art history at the University of Victoria. A keen historian, Cotton also devoted considerable time to independent research at the Victoria and Albert Museum, the Provincial Archives of British Columbia, and various American institutes and academies.

Prior to settling in Victoria in the late 1950's, Cotton and fellow architect, Alfred Staples, designed and manufactured furniture in Vancouver. Their modernistic pieces were marketed under the name "Perpetua." Cotton then joined the architectural staff of the provincial Department of Public Works and was involved with the rebuilding of Government House - an experience which sparked his interest in historical architecture. That interest was expressed not only in his heritage building projects, but also in his manuscript history of B.C.’s vice-regal mansions.

In 1961 Cotton set up his own architectural practice, one of which he subsequently conducted from his own heritage home on Admiral's Road, Esquimalt. His practice grew substantially in the late 1960's, as public interest in historic buildings increased. Cotton's practice and reputation increased further in the 1970s, despite the fact that Cotton suffered from a circulatory disease. The disease cost him his right leg, which was amputated in 1977. The disease also contributed to his death on 31 December 1978.

The collection chronicles the whole of Cotton's life and reflects his many interests and activities. Records include: diaries, daybooks, school report cards, undergraduate papers, and personal correspondence inward plus letters written by Cotton while serving with Canadian Army overseas, 1940-1945, financial records, business correspondence, and project files relating to Cotton's work as architect and interior designer, along with notes, reports letters, and sketches relating to heritage buildings in British Columbia (primarily in Victoria).

Architectural drawings transferred to Map accession, CM/C2008. An on-line finding aid for CM/C2008 is available by searching the WWW pages index on the BC Archives Website. Photographs transferred to Visual Records accessions 198208-64, 198303-40, 198308-7, and 198410-14. Accession 198208-64, contains items transferred from 197812-16 related to Peter Cotton, and includes ca. 105 prints of unidentified people and members of the Cotton and Neve families. A box list for accession 198303-40 is available at the end of this finding aid. Accession 198308-7 contains 124 prints and 123 negatives of Peter Cotton, friends, and family members. Accession 198410-14 contains 300 black and white Cotton family photographs, ca. 1890-1969. Paintings, drawings, and prints have been assigned Visual Records item numbers PDP05433 to PDP05470 and PDP02183. These items include: designs, drawings and watercolours, and an ink and wash on paper portrait of Cotton in uniform. Additional information about Cotton, Christmas card designs and a Perpetua furniture catalogue is available in the BC Archives artist file. Samples of wall coverings and curtain material (used in the restoration of Craigflower Manor) have been transferred to the Heritage Conservation Branch, while architectural magazines and technical journals have been donated to UBC's School of Architecture.

Related records: see MS-0351 which contains rough drafts, notecards, galleys, etc., of Cotton's unpublished history of Government House entitled "From the Ashes" and photograph accession 198207-44, Craigflower Manor restoration. The publication Craigflower Manor: Volume 1, The Structure, The rationale of decisions made during the restoration of the manor in 1968, Peter Cotton, architect in charge is located in Old Manuscripts, call number G/V66/C82. Additional photographs and colour transparencies of historic architecture in Victoria may be found in the Cotton collection of the Maltwood Gallery at the University of Victoria.

The Peter Neve Cotton collection was donated to the Provincial Archives of British Columbia (PABC) by his sisters, Mrs. Mary Small of Salt Spring Island, B.C. and Mrs. Patricia Jarvis of Bellevue, Washington.

MS-1336 Peter Cotton papers 1924-1979 G:\RSD\@ORCS09\13050.20\MS-1336.DOC:2000/03/22 Page 1

Here are some other wonderful exhibits at the Vancouver Art Museum:


LINEAGES AND LAND BASES

FEBRUARY 22-AUGUST 30, 2020 

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RAPTURE, RHYTHM AND THE TREE OF LIFE: EMILY CARR AND HER FEMALE CONTEMPORARIES LIneages and land bases

DECEMBER 7, 2019-DECEMBER 13, 2020 

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Saturday, February 1, 2020

WINTER DOLDRUMS

Haven't been very active in my studio this winter...not very inspired and a bit distracted, dismayed and saddened by what is happening to our country and as a result affecting our foreign relationships around the world and the direction of the political system. However, I will stay optimistic and do all I can to bring our country back to some sense of sanity and support and vote for those I know will keep democracy alive.

But let's leave that subject behind so as to have a brighter outlook. My studio has calling for my attention, for sure, despite my ignoring said calls. It is in much need of clearing-out and freshening-up, thus creating a clean slate to start anew. I am overwhelmed by the prospect of the purge, but will gain more energy for climbing out of hibernation and digging-in as our days get longer with more hours of light...ah, the light...we need that light.

Thanks for sticking with me despite the lack of posts. Keep checking is as I may just surprise you...and thanks for your patience and persistence in pursuing these pages...your attention and support are much appreciated.

Here is a close-up detail of a piece I did a number of years ago... 
BY THE LIGHT OF THE SILVERY MOON -  seems appropriate for the moment.